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Hints of this mythology of racelessness are sprinkled throughout because she is not black.Consoling Victoria, Miguel tells her that “it doesn’t matter what color skin you have” and “our blood is the same.” Here, Miguel is not quite speaking to Victoria but rather to the viewer, specifically, a Colombian and broader Latin American audience whose national mythology was built on “racial harmony”and racelessness.”).Set in the Caribbean port of Santa Marta, Colombia, follows the life and struggles of Victoria Quintero, the daughter of a prosperous, slaveholding family and owners of a cotton plantation in the countryside.Although the enslaved population of Colombia (then known as New Granada) was smaller than centers of slavery like Cuba and Brazil throughout the nineteenth century, Colombian slaveholders depended heavily on enslaved labor to work the gold mines of the Pacific coast or the tropical plantations of the Caribbean like those featured in .
*** Between , the past year has witnessed a boom in the cinematic portrayal of the ugly business of and resistance to slavery in the U. Produced by (The White Slave), the show engages in a violent historical revisionism by centering the fantastical travails of a white woman who ostensibly holds the key of freedom for the region’s enslaved.
Since the show’s airing, the boy had been subject to racist bullying by his classmates who told him he had to be their slave “like in the .” No, it would be unfathomable for Colombian producers to create a show about slavery with a leading black protagonist, man or woman.
Instead, they decided to center the pearl-skinned, green-eyed female daughter of slaveholders as the hero, the redeemer of slaves.
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